Get Classical | so seamless that everything she did looked easy, but had that unique ability to communicate when she played — to make you feel like she was speaking, that she had something to say. Her “Libertango” was beautifully assertive with flair to spare. “Bésame Mucho” was every bit as sexy as it should be, and “Oblivion” was haunting.” —Opera Wire “John Tavner’s ‘Threnos” for solo cello “Kristina Cooper gave a sensational performance” “striking virtuoso” | |